Magician Rich Aviles launches his new company Trcky in January, sign up to the newsletter now to receive a free trick when it launches.
The new Magicana online Erdnase Exhibition started by Julie Eng and Jason England. It shows the numerous printings of the book, the history behind it and a count of first editions still in existence.
Started by Tom Stone as a present to Stephen Minch a unique place to discuss the contents of all of Hermetic Press books.
Josh’s article published in the Huffington Post from his Tragic Magic lecture, on 7 Tragic Magicians Deaths.
Review of the recent International Convention in London. I had a fantastic time and it was a great weekend with lots of talent, and some great lectures and shows, this convention is highly recommended, if you don’t already attend add it to your calendar, next years dates are the 16-18 November 2012.
Chris Burton from Secrets of Card Magic wants to let people know about his membership site for people wanting to learn card magic, sleight of hand and flourishes, he has about 350 plus videos of performing and teaching.
He has put together a Christmas offer where people interested in magic can have the whole 8 phases as a one time offer without waiting for each phase which lasts a month. Saving them time and money.
Here is the offer
The youtube channel
Avia have teamed up with magician Pete Hathaway
to deliver their pension message in style. Pete Hathway hit the streets of Brighton and London performing street magic for people in their 20s working in the cities.
They said “We had a great time as you’ll see from our films – but we are also trying to communicate a different message. We want to demonstrate that by starting a company pension early, your money could grow …as if by magic!”
Watch out for a review of this coming soon, I am still working my way through this but for now take a look at the press release and place your order at Amazon.
MAGICAL MATHEMATICS by Persi Diaconis & Ron Graham
The Mathematical Ideas that Animate Great Magic Tricks, after 25 years in the making and with a foreword by Martin Gardner, Persi Diaconis & Ron Graham finally reveal the secrets of amazing, fun-to-perform card
tricks—and the profound mathematical ideas behind them—that will astound even the most accomplished magician. Renowned magicians and mathematicians Persi Diaconis and Ron Graham provide easy,
step-by-step instructions for each trick, explaining how to set up the effect and offering tips on what to say and do while performing it.
Each card trick introduces a new mathematical idea, and varying the tricks in turn takes readers to the very threshold of today’s mathematical knowledge. For example, the Gilbreath Principle — a fantastic effect where the cards remain in control despite being shuffled—is found to share an intimate connection with the Mandelbrot set. Other card tricks link to the mathematical secrets of combinatorics, graph theory, number theory, topology, the Riemann hypothesis, and even Fermat’s last theorem.
Diaconis and Graham are mathematicians as well as skilled performers with decades of professional experience between them. In the book they share a wealth of conjuring lore, including some closely guarded secrets of legendary magicians. MAGICAL MATHEMATICS covers the mathematics of juggling and shows how the I Ching connects to the history of probability and magic tricks both old and new. It tells the
stories—and reveals the best tricks–of the eccentric and brilliant inventors of mathematical magic.
MAGICAL MATHEMATICS exposes old gambling secrets through the mathematics of shuffling cards, explains the classic street-gambling scam of three-card monte, traces the history of mathematical magic back to the thirteenth century and the oldest mathematical trick—and much more.
The Luke Jermay Secrets:
We constantly remind ourselves that magic is no longer about power, now that we are adults and can make our own choices. Magic is about that very strange, human experience of knowing that what has happened did not actually happen—even though it took place here, in your living room, in your own hand.
But more importantly, they forgot. For that eight or so minutes they forgot about the heartache, they forgot about the disappointment, and they pretty much forgot about everything. And when it comes down to it, isn’t that the point of entertainment?
Bristol Magician Rob James has started a new blog, go read his first post on getting fake enquiries, what baffles me is why people would do this in the first place, go and learn a new card trick instead of bothering professionals!
Two old scrapbooks that contain magazine and newspaper clippings collected by a amateur magician from 1900 to the 1930′s. Covering all aspects of magic from the beginning of last century, from small close up tricks to the greatest Magicians of the time revealing their secrets.
These articles have been scanned in from the scrapbooks and provide a fascinating insight into magic from that era, you can see what is coming up in each volume in the volume 1 and volume 2 index. I was particularly drawn to this article on Do’s and Don’ts for Young Magicians from 1906.
Great article about Rich Bloch and his Dickens Parlour Theatre and his career as an arbitrator.
Magicians take advantage of this to manipulate their spectators attentional spotlight. They know, for example, that the eyes give off important social cues, and that people have a natural impulse to pay attention to the objects that others are attending to. They exploit this joint attention by using their eye movements to divert the audiences attention away from the method – the secret action behind the trick – and towards the magical effect.
Costas was very kind to send me a review copy of Gary’s new release Noted. You can see the demo in the link above.
This was originally published in Gary’s lecture notes as Starter for 10. The original used a simple basic gimmick, but Magic Tao have taken the idea and greatly improved it.
The basic idea behind the trick is that you walk up to a table holding a note-pad and ask if you can take their order, you then change the note-pad into a deck of cards and you can start your magic.
Just recently I have been looking into and playing about with magical ways to produce a deck of cards, including John Carney’s Chill Pack, David Regal’s Sudden Deck and Alex Lourido’s Instant Deck. These are all brilliant methods but I think there is something fun, simple and organic about Gary’s method that means it will probably be the one I use most often.
Whenever you see Gary’s name on a product you know it is going to be a worker, and this is no exception. My mind is already racing on presentational ideas. I am not too keen on the advertised way of pretending to be a waiter and asking if you can take their order. But I am already thinking about using this in conjunction with Jon Allen’s opening line of ‘Is this the fun table?’ I can see myself walking up with notepad and pen in hand, saying I am just double checking, ‘Is this table 10?’ ‘It is, I heard this is the fun table?’ ‘In that case maybe you would like to see some magic?’ As you transform the note-pad into your cards, and effortlessly start the first effect.
Without giving too much away, there is a certain something you need to get rid of, in the DVD Costas suggest using the old, getting rid of the jokers line, but for me I think I will just have a card chosen, and as they are showing it around, I will turn my back and ditch the necessary. The beauty of the gimmick is that it is as thin as a card and you can easily manipulate and show the deck, and have a card chosen for your first trick, all whilst the gimmick is still in the deck.
The up-dated gimmick has been made to look like a notepad, and I have been fooling myself in the mirror, this does look just like a spiral-bound notepad, it really is awesome. It is also plastic coated, so you can write on this with a white-board marker. Gary has some great ideas for this including an invisible deck routine, and drawing a picture of a deck actually onto the notepad.
The angles are also great, the deck is totally covered, and there is little chance of flashing.
I am struggling to come up with any negative aspects to this, however a few things to be aware of, you are probably going to need to open with this, as I can see it would be a little tricky in most working situations to put this in the middle of a set, but then why would you, I think it is designed as an opener, and that is how it should be used. Also you are going to need some experience of misdirection, the handling of the gimmick is pretty much self-working but it does need some misdirection, even if it is just asking a question as in the Jon Allen line above, you need something to cover the change, but this shouldn’t be an issue with some thought. As I say not negative aspects, but things you should know before purchase.
The DVD is well produced, if on the short side, however you don’t really need to know all that much, it is what it is, a very clever idea, open to lots of interpretation, and personalisation, a wonderful opening effect to establish yourself.
The Gimmick as already stated is well made, and very deceptive, I just hope from all the use I can for-see this getting, that it will last, or that Magic Tao will continue to make these, as I can see this being one of my openers for quite some time. In short I can’t wait to go and road-test this and if you want a method to magically produce your cards, this is one of the easiest, most practical, workable, commercial ways that I have seen, recommended!
Magic is becoming a business by magicians for magicians, it’s as if musicians were doing music for musicians, I think its not healthy for the art. Lots of people are creating extraordinary things but not targeted to a lay audience.
Magical Sleight are going to be releasing some downloads from Bebel, go and watch this short interview to hear his thoughts on sharing magic with other magicians, and what it was like to work magic on the streets.